{"id":846,"date":"2021-11-08T08:07:14","date_gmt":"2021-11-08T07:07:14","guid":{"rendered":"http:\/\/jeanracine.org\/cijr\/?p=846"},"modified":"2021-11-08T08:12:57","modified_gmt":"2021-11-08T07:12:57","slug":"phedre-au-theatre-maurice-novarina-de-thonon-mardi-9-novembre","status":"publish","type":"post","link":"https:\/\/jeanracine.org\/cijr\/2021\/11\/08\/phedre-au-theatre-maurice-novarina-de-thonon-mardi-9-novembre\/","title":{"rendered":"\u201cPh\u00e8dre\u201d au th\u00e9\u00e2tre Maurice Novarina de Thonon mardi 9 novembre"},"content":{"rendered":"

Amours passionn\u00e9es mais interdites, succession de tr\u00f4ne, col\u00e8re des hommes et des dieux et morts in\u00e9vitables\u00a0: tous les ingr\u00e9dients de la trag\u00e9die sont r\u00e9unis dans \u201cPh\u00e8dre\u201d. Voil\u00e0 une sublime trag\u00e9die du d\u00e9sir, probablement la plus belle de Racine, \u00e9crite dans une langue renversante de beaut\u00e9. Brigitte Jaques-Wajeman en propose ici une mise en sc\u00e8ne des plus percutantes, avec une distribution impeccable de 8 com\u00e9diens, des choix artistiques sobres et \u00e9loquents de sc\u00e9nographie, d\u2019\u00e9clairage, de costumes, de son, de musique.<\/p>\n

(\u2026) une intelligence profonde du texte, une distribution impeccable, des choix artistiques sobres et \u00e9loquents de sc\u00e9nographie, d\u2019\u00e9clairage, de costumes, de son, de musique. Et une mani\u00e8re de dire le vers qui offre son juste d\u00e9ploiement \u00e0 l\u2019alexandrin sans le corseter dans un rythme lancinant.<\/span> (<\/em>Armelle H\u00e9liot, Le Figaro<\/em>)<\/p>\n

\u00c0 Thonon-les-Bains au th\u00e9\u00e2tre Maurice Novarina le mardi 9\u00a0novembre \u00e0 20\u00a0heures.<\/p>\n

Cie Pandora
\nTexte\u00a0:\u00a0Racine
\nMise en sc\u00e8ne\u00a0:\u00a0Brigitte Jaques-Wajeman
\nInterpr\u00e9tation\u00a0:\u00a0Rapha\u00e8le Bouchard, Bertrand Suarez-Pazos, Rapha\u00ebl Naasz, Pauline Bolcatto, Sophie Daull, Pascal Bekkar, Lucie Digout, Kenza Lagnaoui
\nCollaboration artistique :\u00a0Fran\u00e7ois Regnault\u00a0
\nDramaturgie\u00a0:\u00a0Cl\u00e9ment Camar-Mercier
\nAssistant \u00e0 la mise en sc\u00e8ne :\u00a0Pascal Bekkar<\/p>\n

Site\u00a0: https:\/\/mal-thonon.org\/phedre\/<\/a><\/strong><\/p>\n

Teaser<\/strong>: https:\/\/youtu.be\/fvoRt344Hx0\u00a0<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Amours passionn\u00e9es mais interdites, succession de tr\u00f4ne, col\u00e8re des hommes et des dieux et morts in\u00e9vitables\u00a0: tous les ingr\u00e9dients de la trag\u00e9die sont r\u00e9unis dans \u201cPh\u00e8dre\u201d. Voil\u00e0 une sublime trag\u00e9die du d\u00e9sir, probablement la plus belle de Racine, \u00e9crite dans une langue renversante de beaut\u00e9. Brigitte Jaques-Wajeman en propose ici une mise en sc\u00e8ne des … Continuer la lecture de \u201cPh\u00e8dre\u201d au th\u00e9\u00e2tre Maurice Novarina de Thonon mardi 9 novembre<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":847,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[16],"tags":[],"class_list":["post-846","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites"],"jetpack_featured_media_url":"https:\/\/jeanracine.org\/cijr\/wp-content\/uploads\/2021\/11\/title-1635954155.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jeanracine.org\/cijr\/wp-json\/wp\/v2\/posts\/846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jeanracine.org\/cijr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jeanracine.org\/cijr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jeanracine.org\/cijr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jeanracine.org\/cijr\/wp-json\/wp\/v2\/comments?post=846"}],"version-history":[{"count":4,"href":"https:\/\/jeanracine.org\/cijr\/wp-json\/wp\/v2\/posts\/846\/revisions"}],"predecessor-version":[{"id":851,"href":"https:\/\/jeanracine.org\/cijr\/wp-json\/wp\/v2\/posts\/846\/revisions\/851"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jeanracine.org\/cijr\/wp-json\/wp\/v2\/media\/847"}],"wp:attachment":[{"href":"https:\/\/jeanracine.org\/cijr\/wp-json\/wp\/v2\/media?parent=846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jeanracine.org\/cijr\/wp-json\/wp\/v2\/categories?post=846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jeanracine.org\/cijr\/wp-json\/wp\/v2\/tags?post=846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}